Midwinter Revels

At the conclusion of the first act of every Midwinter Revels, the chorus and audience join in a serpentine song and dance, based on Sidney Carter’s song, “Lord of the Dance,” an adaptation of the Shaker song, “‘Tis a Gift To Be Simple.”

The song and dance is a brief experience of shared celebration and is, for many, the community high point of the show. Since Morris dancing has long been centrally connected to celebrations of the return of spring, this joining of audience and chorus is introduced by a unique Morris dance choreographed by Carol Langstaff in Cambridge in 1971 for the very first Revels. The dance features steps taken from five village Morris traditions. They are danced by two dancers at stage center until the song ends and dancers and chorus members dance with the audience around the theater.

One part of many Midwinter Revels performances that captures the mystery of mid-winter celebration is the Abbots Bromley Horn Dance, an age-old procession of 10 to 12 figures. In the dance six people carry sets of caribou horns, followed by a hobby horse, Maid Marian (usually a man dressed as a woman), a child with a bow and arrow, and a fool who periodically dings a small triangle. The Revels dance choreography is inspired by an all-day procession still done each September in the tiny town of Abbots Bromley in Staffordshire, England. The dance is serpentine and includes a figure in which lines of five dancers each approach and retire and cross and repeat, with some clashing of the horns.

The dance was adapted by John Langstaff and is done in Revels fashion to a haunting tune first notated in the 1850′s by an Abbots Bromley resident, William Robinson, who said it was old in his time. Its appeal is that of most rituals: it cannot be explained, only experienced.

History of the horns: The horns in the town of Abbots Bromley have been carbon dated to 1065. At least one historian of the dance has identified them with an 11th century monk named Wulfric, counselor to King Ethelred and founder of a Benedictine Abbey on whose land the village was founded in 1004. He speculates that the horns were from caribou brought in by Vikings, possibly those against whom Wulfric defended Mercia in 1010.

At some point in a Midwinter Revels performance, it is very likely that the audience will be invited to join with the performers to sing Dona Nobis Pacem, a short prayer for peace originally from the Latin mass. Dona Nobis Pacem is a round for three parts, and the audience divides into three sections to sing along with those onstage. The melody is relatively simple and easy to learn, with the second and third line supplying harmony to the first. A Revels audience singing with the performers onstage in three part harmony creates an awe inspiring sound in the theatre.